The interactive website together-online.net explores notions of community in the digital space. In playful experiments made to be used together, the work raises questions such as: How to be together online? What platform mechanisms shape the way we interact? What shapes do we take digitally? What can’t be done alone?

Grid-type.com is an experimental type tool. You can generate different types of grids with it, draw your letters within these grids and download them as a font file.

The tool can be used for experimental headline or logo typefaces, to explore new shapes and patterns. With this project, I wanted to incorporate code into the type design process, allowing for almost endless variations with different parameters and serendipitous encounters.

Gesammelte Wörter is a poetry generator for the international book festival BuchBasel. The menu overview is made up of ever new word combinations that are fed by the underlying texts. This results in small poems that can be changed, remixed, saved and shared as your own collection.

­ is a digital magazine for contemporary literature. ­ explores new ways of reading online, reflects on the relationship to the screen and brings together texts by authors of the digital present. ­ was founded in 2019 by Katharina Nejdl together with Chris Möller, Victor Kümel and Sophia Rohwetter.

Apod.li is a collection of artistic print-on-demand publications. With advanced filter and search functionality it is an important resource for the study of experimental publishing, art and literature in the post-digital era.

In times of close distances and new hybrid forms of togetherness, ­ and BuchBasel would like to invite you to a multilingual digital reading space. The Translation Issue presents contemporary Swiss poetry in translation—English, French, German, Italian and Romansh—as a collective reading experience online.

Sound-reactive website for the aux) initiative. aux) is run by students and alumni of Sandberg Institute and Rietveld Academie. The aim is to collectively question the contemporary domination of image over sound and to intervene with vision-dependent frames of making and knowing. The platform offers a program that covers a spectrum of perspectives addressing sonic experiences and listening as ways of knowing.

Website for a dynamic literature label where the left and right side can be resized by dragging the middle line.

Corporate identity and website for the gender research working group Berlin [afg berlin / Arbeits­gemein­schaft der Frauen- und Ge­schlech­ter­for­schungs­ein­rich­tungen Berliner Hoch­schulen].

A careful scratching, and text appears. The action is soft, giving in beneath the steps.A quiet scratching. And there, through the finger’s surface, the text writes itself. We type in the dark, leaving streaks as we speak. Mistaking skin for glass.

We can visit the same website but see different things. Through personalization, individualization and customization your web-experience becomes as unique as your fingerprint. Websites constantly change their shape depending on the user: The layout transforms responsively when you open it on the phone, personal preferences are manifested in the light or dark mode, location-tracking and as user profiling tailors our feeds as well as the ads in it.

If a website is unusable, the content is inaccessible to the user. So usability is something every website needs in some form. But rather than checking off as many usability guidelines as possible, it could be more useful to ask: For whom and for what purposes should the website be usable?

“The analysis of signs may be supported by algorithms, but their interpretation remains human endeavor.” (Daniel Althof, Digital Humanities Researcher) Research on the subject of AI image generation: A neural network was trained with images from the 100BP poster archive. The generated “posters” were then interpreted again by graphic designers.

The typeface’s flexible modules react to the tilt and orientation of the device.